Category: Poems & Photographs

  • Childhood

    IMG_2486

    The Ice-Cream Man in the little truck playing
    “Bicycle Built for Two”
    speeds up as I run out of my house
    wallet in hand with ice-cream on my mind.
    No, really … with chocolate on my mind.
    not the good kind of chocolate
    connoisseurs like with caramel and salt
    but the kind from childhood, the ice-cream bar
    with thin slabs of chocolate
    around a stick of vanilla ice-cream
    so cold in the heat that taste doesn’t matter,
    lying with my sister on the grass before her illness
    trying to eat the bars before they dripped
    sticky onto our necks and chests,
    nibbling the top, then the sides, and finally,
    licking the last bit off the wooden stick
    savoring even that woody taste.

    But now the Ice-Cream man speeds down the street
    at the end of his day.
    He no longer hears “Bicycle Built for Two,”
    or sees the line of children chasing him
    or me waving my wallet
    and shouting at the top of my lungs
    to the receding truck,
    I remember!                I remember!

    FEWalls

  • At the Poetry Festival

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    The drums come from the back of the band
    the rhythm Jamaican
    the poet drifts to the microphone:
    “I killed a cowboy today
    I didn’t mean it.”

    We, the audience, shift over-hot in the room
    but pliant leaning into the beat
    as the poet sucks us in with the lilt
    of his accent blending word and note:
    “I killed a cowboy today
    Thought they was dead you know.”

    The trombonist
    with her lips tight on the mouthpiece,
    the guitar man nodding in sync
    the band loudens and softens
    watching the poet run this dream.

    He is reeling us in like a tame shark
    the whole lot of us
    over-eager, awkward,
    ready to fall in love.

    FE Walls

     

  • Wing Span

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    In this sweet curve of time we fly south,
    over the up-lifted earth of the Sierra Nevadas,
    gray-green forests brown where fire touched the stretching earth,
    catchments of smooth blue water,
    patches of snow cast like manna on the peaks.

    In the plane, I see the small curl of a baby’s ear,
    the slight redness in the fold of fat at the neck
    as a young mother pats and rubs the back
    of the crying child across her knee.
    Clouds form from the gauzy light.

    Later, holding the stranger’s baby asleep,
    I remember the tough brown crust of bread
    hot from the mud brick oven in the Kalahari Desert,
    my own son cradled in my arms,
    far, far away.

    FEWalls

     

  • Alki Point, Minus Tide

    c. FEWalls
    c. FEWalls

    Amanda runs through the shallow waves

    in her pink sun-suit and rubber boots,

    yelps as she holds a crab,

    its single pincher snapping.

     

    Amanda grins and flashes the new front teeth

    too big for the others; she sets the crab

    down carefully among sea grasses,

    the bud of its new pincher still safe to grow.

     

    Amanda ignores the call from the shore

    and the women from Vietnam bent-over

    the tide flats placing crabs and clams

    in plastic bags to sell.

     

    Amanda smells like kelp in the sun.

    Her hair damp, she licks salt from her lips,

    squats in the shallows fingering the algae

    and the roots of their hold-fast grabbing rocks.

     

    The long blades of algae, brown, green, red,

    bob on the waves with a strand of white

    bleached out by age, sun, death.

     

    Amanda stirs the sea lettuce.

    She prods the starfish humped over a moonsnail,

    its arms move slowly,

    never tiring, never giving up.

     

    Amanda stares at the abdomens of crabs

    looking for the broadness of the female

    hiding the ovaries. She misses

    the red nipple of sea cucumber

    wedged deep in the breakwater.

     

    Amanda ignores her mother’s yell

    from the shore, hands on hips,

    “Lunch, Amanda, time to go,

    right now, Amanda, time to go,

    right now!”

     

    FEWalls

     

  • Wing-Beat in the Grand Canyon of the Colorado

    Starry Night, Van Gogh

    You have said your good-byes like prayers,

    used to the words on your lips;

    your child has the shape of your eyes,

    but the shade of resemblance dances away.

     

    Remember the river at dawn,

    flowing between the canyon walls

    as the mallards flew swiftly before you

    scouting the unseen curves in the channel,

    their wing-beats counting down the miles?

     

    The cliffs above you climb beyond seeing,

    the water fast past the boulders,

    the rapids seize you, twist you,

    pin you against the rocks then let you free.

     

    In the pressure of the current,

    there is no turning back.

    The ravens struggle across the river against the wind,

    the cliffs the color of the bead

    of blood that glitters from a wound.

     

    You feel the shape of the canyon in your body,

    the ocean abandoning the inland, again and again,

    the continents shifting on their hidden tracks,

    as you dream of separation.

     

    Gather up what you know,

    as the weather turns to rain,

    the mallards have disappeared into the light

    and, now,

    you emerge from the canyon alone.

     

    FEWalls